I love this visual technique. I appreciate that the New York Times is slowly moving the needle on digital storytelling with their different incarnations of "scrollytelling." This is a technique I feel like I haven't seen yet.
> A serpentine passage cuts through an ordinary little marsh, on a highway that connects Kyoto to Edo (now Tokyo). No graceful landscape, this. We’re somewhere commonplace, undistinguished.
It's hard to say if the author is trying to bring a western audience along for a story, or has misunderstood the grace of an ordinary little marsh (if in fact this is a marsh, and not a farm).