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Wow that's is really cool! Thanks for sharing! I will definitely take a look

Thanks for taking a look! Let me know if you have any issues with it, it's still in a nascent stage and has a lot of room to grow especially in the Guitar to MIDI detection. If you don't have a midi controller you can use your keyboard as well !


I haven't, this looks neat. Have you tried it ?

yeah but it's not real time.

Would be nice to have it be realtime no, is this something you are looking to have? Do sign up on the cloud waitlist so I can get in touch wrt progression on the chord detection work.

I can't say its bs

My hand writing is so bad(2)


AI psychologist,the machines will need it.


El Niño, volcanism, and solar variation.

it's not about us guys, relax.


Interstingly a paper was published today which confirms accelerated warming whislt accounting for the effects of natural fluctations (el nino, volcanism and solar radiation etc) https://agupubs.onlinelibrary.wiley.com/doi/abs/10.1029/2025...

>We remove the estimated influence of three main natural variability factors: El Niño, volcanism, and solar variation. The resulting adjusted and thus less “noisy” data show that there has been acceleration with over 98% confidence, with faster warming over the last 10+ years than during any previous decade.


I’m not sure if this comment was low effort or sarcasm but it certainly doesn’t further discussion per HN guidelines.

Those are factors in this analysis that weren’t in all prior analyses, and the confidence levels in this analysis have improved greatly and we know much more certainly that global temps are rising faster now than earlier decades.


Any excuse to pretend we aren't contributing.


You're getting downvoted because you didn't read the article.

It is specifically about cleaning up the data by removing these 3 and showing a clearer picture of acceleration without these 3 factors.


I'm looking for an open source eps to svg


Inkscape does that perfectly.


thanks!


What kind of problem made you pick up F#? it seems pretty cool


It's been ages since I started using it, but I don't think it was any problem in particular. I think I just happened to watch a video by Scott Wlaschin one day and was intrigued by the weird language and the things he was doing with the type system, having only been familiar with object oriented programming at that point in my life. I kept coming back to it and eventually it became my bread and butter.

What I like most about it is the type system (discriminated unions, etc.). It's really powerful and intuitive, without letting me go overboard "big braining" the perfect type for every situation like I tend to do with e.g. typescript or haskell. F# is also great because we can access the full dotnet runtime and nuget ecosystem. I have several projects where I mix C# and F#, and they're perfectly compatible.


Nice!


Not who you asked, but I decided to try F# after reading “Domain Modeling Made Functional” which uses F# and is one of the best books I’ve read on domain driven design. I cannot recommend it more.

That being said, F# wasn’t really for me and applying the ideas from the book into other languages has been a better fit for me.


Thanks for your comment. What about the team? I mean, it's not just for one member right?


Guitar plugins, looking for partners

quantifier-dsp.com


404


I got that too, but then I tried the link a second time and it worked.


That happened the first time I clicked, but it is back.


Probably vibe codes his website..


Just refresh it


Which makes me wonder: how is serving static content at all nondeterministic?



Great idea. After telling claude to "make a song" and pointing it to the strudel docs, it gave me this:

  https://strudel.cc/#Ly8gImFtYmVyIGRyaWZ0IiBAYnkgYW1wCi8vIEB2ZXJzaW9uIDEuMApzZXRjcHMoLjU1KQoKJDogbihgPAogIFswIH4gMiB%2BXSBbNCB%2BIDMgfl0gWzIgfiAwIH5dIFs0IDMgMiB%2BXQogIFswIH4gMiB%2BXSBbNCB%2BIDUgfl0gWzMgfiAyIH5dIFswIH4gfiB%2BXQo%2BKjJgKS5zY2FsZSgiRDQ6bWlub3I6cGVudGF0b25pYyIpCi5zb3VuZCgiZ21fZWxlY3RyaWNfZ3VpdGFyX211dGVkIikKLmxwZihzaW5lLnJhbmdlKDYwMCwgMjIwMCkuc2xvdygxNikpLmxwcSgzKQouZGVsYXkoIi40Oi4xMjU6LjYiKS5yb29tKC42KS5nYWluKC43KQoub2ZmKDEvMTYsIHggPT4geC5hZGQoNykuZ2FpbiguMykuZGVsYXkoLjUpKQoKJDogbigiPFswIDRdIFszIDJdIFswIDVdIFszIH5dPi8yIikKLnNjYWxlKCJEMjptaW5vcjpwZW50YXRvbmljIikKLnNvdW5kKCJzYXd0b290aCx0cmlhbmdsZSIpLmxwZig1MDApCi5hZHNyKCIuMDE6LjI6LjY6LjQiKS5nYWluKC43NSkKCiQ6IG4oIjxbMCw0LDddIFsyLDUsOV0gWzAsMyw3XSBbMiw0LDldPi80IikKLnNjYWxlKCJEMzptaW5vciIpCi5zb3VuZCgiZ21fZXBpYW5vMToxIikKLnJvb20oLjgpLmdhaW4oLjM1KS5kZWxheSgiLjM6LjI1Oi41IikKLmxwZihzaW5lLnJhbmdlKDgwMCwgMzAwMCkuc2xvdygzMikpCgokOiBzdGFjaygKICBzKCJiZCIpLnN0cnVjdCgiW3ggfiB%2BIH5dIFt4IH4gfiB%2BXSIpLAogIHMoIn4gW3JpbToxLCBzZDoyXSIpLmdhaW4oLjgpLAogIHMoImhoKjgiKS5nYWluKHNhdy5yYW5nZSguMiwgLjcpKS5wYW4oc2luZSksCiAgcygifiB%2BIH4gb2giKS5tYXNrKCI8MCAwIDAgMT4vOCIpLmdhaW4oLjQpCikuYmFuaygiUm9sYW5kVFI4MDgiKQoucm9vbSguMykuc2hhcGUoLjIpCgokOiBuKCJ%2BIDxbfiA2XSBbNCB%2BXSBbfiAzXSBbNSB%2BXT4iKQouc2NhbGUoIkQ1Om1pbm9yOnBlbnRhdG9uaWMiKQouc291bmQoImdtX211c2ljX2JveCIpCi5yb29tKC45KS5kZWxheSgiLjU6LjE2Oi43IikKLmdhaW4ocGVybGluLnJhbmdlKC4zLCAuNikpCi5wYW4oc2luZS5zbG93KDgpKQ%3D%3D
According to claude:

  It layers a pentatonic guitar melody with filter sweep, a saw/triangle bass, warm e-piano chords, TR-808 drums, and a sparse music box that drifts across the stereo field.
I'm blown away.

I do acknowledge the possiblity that it might be heavily plagiarized from an original composition in the training set - I wouldn't know.


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