Personally I’m glad that big IP came in and smashed the AI companies like this. They been relentlessly ripping off smaller creators for some time now.
It opens the precedent for those creators to now also hold these companies responsible. That’s not a bad thing under the current legal system in this way.
Also, seeing genuine original creations created with AI assistance is much more interesting to me
> Also, seeing genuine original creations created with AI assistance is much more interesting to me
The great disappointment about how all of this is marketed is what AI should be good at doing - enhancing a tiny budget - is all but forgotten. I don't want a video of Pikachu fighting Doctor Strange, I want some weirdos fantastical horror movie that he could never get financed, but was able to green screen and use AI to generate everything. I don't want a goofy top 40 country song full of silly lyrics, I want musicians to use AI to generate new sounds as part of composition.
In the same way that there's a difference between vibe coding and using a coding assistant...
It depends how it is used. If it is an assist which generates sounds/samples that a musician can edit themselves, that seems fine. But spewing out a final form track from a prompt would just be slop.
Integrating AI with existing tools to improve productivity is harder and requires effort and investment...
As one whose musicianship involved a great deal of generating sounds and samples myself, via modular synthesis and the occasional use of a programming language for DSP, I assure you I find that idea of using genAI for an assist on that front offensive.
Could you use the bullshit machines to generate sounds that were nuanced, musical, and original, with enough time and effort?
Maybe. I'm not sure original is something they can do, but it's not totally implausible.
I would strongly recommend learning to use other tools for that purpose, instead of feeding the plagiarism monstrosities.
The aversion people like you have for AI is uncomfortable to me.
I understand your entire world model is shaped by your past and that this machine is changing the fundamentals.
As an outsider to music, I'm excited that I have access to something I previously did not through the use of Suno and other tools. I'm excited that I can come in and just try things and not hit a skill wall or quality barrier that would cause me to quit with the limited time and effort a working adult has. It's something I've wanted to do for a long time, but just never had the time for.
Attempting to learn costs thousands of hours before you can even start to feel good about it, and I don't have that time. Life is short and I'm already thinking about the end.
I used to be sympathetic to folks with your view, but now that programming and engineering are impacted by this - I'm in the crosshairs too. I'm subject to the same forces.
I've decided I love this tech even more. Claude Code is a tool, just like all of these other tools.
This rising tide of capabilities is so awesome. This is the space age stuff I dreamed about as a kid, and it's real and tangible.
So no, I won't restrict myself to your set of pre-approved tools. I'm going to have fun and learn my way.
And it is fun.
You can keep having fun the way you like to. What other people do shouldn't be ruining the fun you have, and if it is, then you should reevaluate why you do it.
I spent years deep in modular synthesis, making my own patches, sounds, and effects processors then using them to perform music.
Taking away the precision, control, and serendipity afforded by modules and cables, or a programming language, and telling me "Just describe what you want and the plagiarism machine will spit out whatever correlates with that description on average" would destroy everything I love about synthesis.
U are arguing against a person who isnt there. I also have done similar and my mind was not thinking specifically prompt the whole output. I think people have this kneejerk to anything that isnt total negativity of ai in the creative space. It is only a tool.
Beyond that, they can also be more or less effective for a variety of purposes.
I spent decades to achieve solid competence at a few different skills, and my experience of genAI thus far is that it can easily give the user the delusion of mastery, ensuring the user does not develop true skills, trapped in the false belief that they can do everything they want to or ever would want to.
The process of struggling to learn new skills showed me new worlds of possibility I would never have discovered or explored without first developing those skills.
There are very legitimate reasons why so many artists and musicians hate genAI.
The difference between games and movies is how easy it is for entrants comparatively.
Indie / small studios have an infinitely easier time going to market than one would with making a film or especially a TV series.
You just make an account on a platform, sometimes submitting some additional information and paying a small fee, and that’s it. You may not even need actors like for text based games (Shovel Knight, Balatro etc)
Movies is so much more. And the cost of production is higher.
Also, the other big thing to realize is by far what games many people play is dominated by a handful of highly successful live service games. I have friends who only play Fortnite and have for a long time. They don’t play much else other than a few casual games when they take small breaks from Fortnite.
It’s not universal but there is a reason they’re always top of charts for revenue. Millions play every day.
The one other thing I’ll say is that seemingly unlike other media there is enough sufficient customer diversity that one business model doesn’t completely choke off all other types. Look at Expedition 33 for example
I also suspect this is the core reason. There are plenty of bad books, video games etc, including some for the same reasons we have bad movies. But the lower barrier-to-entry allows great ones to exist too!
It’s a communal thing. It’s more than just the sport it’s also about being out with other fans, showing support and usually friendly ribbing of the opposing teams fans from time to time.
That is how it was explained to me when I said something similar
I enjoyed each one in the theater but I tried watching Avatar: The Way of Water at home and despite having an entire media room devoted to good sound, proper lighting well calibrated projector and such it was not all that great. The movie fell a little flat without the theater experience to go with it.
I saw the limited run in advance to the 3rd one coming out in theaters again and it was good in that setting, as a reference point for my experience
Exactly, Avatar was literally what I was picturing when I wrote that. They're not good movies. But damn they're fun to watch in 3D, on a giant screen, and with great sound.
That's not to say that all movies in this category are *only* worth watching in the theater like Avatar is. For instance I would have still enjoyed the recent Dune movies either way but they were a lot better with all the pomp & circumstance.
At that point what you are describing is a theme park ride. It only works a handful of times though before people get bored of it and want something else.
Tent-pole black movies? Basically anything Ryan Coogler or Jordan Peele are involved in. They're a case where the unfortunate stereotype might work out in your favor, if you're looking for a group experience that heightens with shared energy and a visual-and-sonic spectacle. (Well, assuming it's true.)
Or maybe it's just a horror/Marvel thing. Weapons and Endgame had a similar audience feel to Sinners and Black Panther.
Definitely not during Chris Nolan films. It's hard enough to hear his dialogue when it's dead silent.
They're going to spin it as a concession of the lawsuits they're facing, and they're face plenty, regarding the sexual assault of women from drivers.
This isn't being done because they want to, users have been asking for this since pretty early in ridesharing history. They're pre-empting the lawsuits and their consequences
You can be a great unblocker, team lead, and work well within cross cutting areas and with interdepartmental stake holders, have a history of strong technical performance.
and yet its nebulous if that means you're a high performer or not to those hiring. It seems I'm seeing 'culture fit' as a common reason people aren't getting hired again. That was out of vogue for a good while.
I also think its being used to filter out people that aren't basically a mirror for the interviewers in many instances.
I've noticed a huge tightening of the rope around that sort of thing.
I can't tell you how many times I've passed all the tests, all the interview things, get to the final round with the team and the rejection email comes in despite having good conversations. By all accounts, I believe any person would say the interview went well.
Other angle: often interview with candidate A goes well, but then you meet candidate B who is comparable but wants less money. From my experience that happens more often now, as there are more people who are desperate and willing to lower their salary expectations to a level that I wouldn't consider reasonable few years ago.
I have hired a lot of people and I have never seen a situation where candidate A and B are both within the target salary band but one was chosen because they were cheaper. You'd always choose the one that was better. I can only see a slightly lower expected salary being a factor at extremely early stage startups with very little funding.
For all I know Sam Altman orchestrated this via well timed donations and whatever the hell contacts he has in government, Trump specifically seems to have taken the man
So using Anthropic’s own words to cover a power play or pulling relationships to see if they could get anthropic to balk at it.
If they actually wanted to do something they wouldn’t have sat back and funded Republican political campaigns because they were pissed about the head of the ftc under Biden.
But they didn’t. They gave millions to this guy and now they’re feigning ignorance or change ir wherever this is.
We shouldn't be scammed by people who intend to get back on the Trump train once they've gotten what they want. But if someone's willing to openly oppose the Trump regime, even out of self-interest, I'm happy to let them feign as much ignorance as they'd like. If his power isn't broken the details of who resisted him when won't matter.
It opens the precedent for those creators to now also hold these companies responsible. That’s not a bad thing under the current legal system in this way.
Also, seeing genuine original creations created with AI assistance is much more interesting to me
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